The ancient Khmer story of “Neang But Somaly Botum Vatey” was brought to life at the MC Park Community Mall on March 22, as part of the Art and Law project organised by youth-led group Sithi Knhom – My Rights.
The initiative, aimed at addressing the critical issue of consent in society, used Khmer classical dance to explore the importance of personal autonomy and gender equality.
Supported by the Italian Business Chamber in Cambodia (ItaCham), the event featured discussions on the legal and cultural aspects of consent, drawing parallels between Cambodia and Italy’s own struggles with gender-based violence laws.
Three generations of women led discussions on the topic “women cannot spin the cookstove” prejudice. Hong Raksmey
ItaCham chairman Gabriele Faja emphasised the global relevance of the issue, noting Italy’s legal history, where until 1981, rapists could avoid prosecution by marrying their victims.
“It was only in 1996 that sexual violence was recognised as a crime against the individual rather than just a moral offense,” Faja stated.
He also pointed out that even today, Italy lacks a clear legal definition of consent.
Faja praised Sithi Knhom – My Rights for using art as a medium for social change.
“The Italian community in Cambodia stands behind you,” he said.
“You are not only creating art—you are creating change,” he added.
Teacher Sophiline Cheam Shapiro, was back stage, guiding her dancers. Hong Raksmey
Leng Malen, co-founder of the group, explained that this was the second Art and Law project, following its successful launch in May last year.
“For this session, we discussed the theme of consent through ancient art stories,” she said.
The project sought to blend legal education with Khmer cultural arts while also providing artists with a deeper understanding of legal frameworks.
The performance of “Neang But Somaly Botum Vatey” served as a crucial tool in illustrating the principles of consent.
Through storytelling, it highlighted the importance of recognising and preventing sexual violence.
It also aimed to specifically address common misconceptions, such as the denial of spousal rape, and emphasised personal autonomy as the foundation of safety in society.
Beyond awareness, the initiative aims to push for legal reform by advocating for a clearer legal definition of consent and stronger victim support systems.
By fostering public dialogue, the project seeks to cultivate a cultural shift in which women’s rights are prioritised, sexual violence is not tolerated and respect for individual rights is deeply ingrained in both legal frameworks and societal norms.
Teacher Sophiline Cheam Shapiro, founder and director of the Sophiline Arts Ensemble, led the performance group.
She explained that the story’s protagonist, “Neang But Somaly”, is an example of a brave woman who uses wisdom and courage to confront danger.
“She faces the demon Veikand, who deceives and attempts to manipulate her,” she said.
“But through her intelligence and strength, she takes control of the situation,” she added.
The audience await the beginning of the performance at MC Park. Hong Raksmey
The Art and Law project aims to empower women by equipping them with knowledge of their rights.
By creating a safe space for discussion, the initiative helps women recognise their legal power and challenges harmful societal norms.
“This initiative is not just about law; it’s about building confidence and ensuring that women of all ages are heard, valued and empowered to live free from violence and discrimination,” added Malen.
